![]() With the frame selected, go to the Effects panel and assign the Screen blend mode. Note that the updated grayscale image is now quite dark.ĭraw a new frame over the image with the desired color swatch. Luckily, these tasks can be saved as an action, and then run from Adobe Bridge on all files that require the change.īack in InDesign, go to the Data Merge panel and update the source file. ![]() You’ll have to repeat this process for each image in the database that needs to be swapped. Repeat this for Yellow and Black so that all channels now have the same image in each channel. Then use Photoshop’s Paste in Place (Cmd+Shift+V/Ctrl+Shift+V) to paste the image into the Cyan channel.Ĭlick on the word Magenta in the Magenta channel and then once again use Paste in Place to paste the image into the Magenta channel. Once the mode is changed, go to the Channels panel and click on the Cyan channel. Once selected, cut the image so that the canvas becomes white. To illustrate the technique, let’s start by changing this JPG picture of a pizza by opening it in Photoshop and selecting the entire image in the gray channel. In this article, I’ll outline what I call the “Process Method.” The Process Method ![]() These methods will require adjustments to the images using Photoshop. However, I’ve discovered some new methods to apply colorization to variable grayscale images. Worse, if I navigate back to the previous record, the colorization is lost and the image has returned to grayscale. I’d like to colorize it with a particular swatch, and it is possible to change this single image by going to the Swatches panel and changing the fill to the appropriate swatch.Īt this point, it looks like the swatch is applied, but if I navigate to the next record, the next image is still grayscale. One issue that has plagued Data Merge users since the feature first appeared in InDesign is the inability to colorize variable grayscale or line art images during a merge.įor example, look at this image field in a data merge.
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